Interstitial filmmaking, spatial displacement and quasi-family ties in Postcards from the Zoo (2012)
This article examines Chinese Indonesian filmmaker, Edwin’s feature film, Postcards from the Zoo (2012). The lifting of the media regulations and the resurgence of Chinese identity in the reformasi era, a period after the downfall of Suharto’s government (1966–1998), transformed the filmmaking scene...
Saved in:
Main Author: | Teo, Miaw Lee |
---|---|
Format: | Article |
Language: | English |
Published: |
2021
|
Subjects: | |
Online Access: | http://ir.unimas.my/id/eprint/35323/1/abstract.pdf http://ir.unimas.my/id/eprint/35323/ https://doi.org/10.1080/17508061.2021.1926155 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
The Interstitial Mode of Sabah Telemovie Production
by: Sydney Thomas, Sibangan, et al.
Published: (2019) -
Interactive promotional design for zoo Melaka
by: Lau, Wai Sin
Published: (2014) -
Making a mark in independent filmmaking
by: The Borneo, Post
Published: (2015) -
Using independent filmmaking production style in producing a documentary film using canon E05 550D digital single lens reflex (DSLR) photographic camera
by: Nurqadia, binti Maslan
Published: (2012) -
Spatial And Temporal Concept In Independent Film
by: Lau, Kai Wen
Published: (2020)