Interstitial filmmaking, spatial displacement and quasi-family ties in Postcards from the Zoo (2012)
This article examines Chinese Indonesian filmmaker, Edwin’s feature film, Postcards from the Zoo (2012). The lifting of the media regulations and the resurgence of Chinese identity in the reformasi era, a period after the downfall of Suharto’s government (1966–1998), transformed the filmmaking scene...
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| Format: | Article |
| Language: | English |
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2021
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| Online Access: | http://ir.unimas.my/id/eprint/35323/1/abstract.pdf http://ir.unimas.my/id/eprint/35323/ https://doi.org/10.1080/17508061.2021.1926155 |
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