Japanese dichotomies and the individual identity in Haruki Murakami’s colourless Tsukuru Tazaki
Japanese indigenous terms such as uchi/soto (inside/outside) and omote/ura (front/back) are common dichotomies employed to understand the differences between expected behaviours associated with group dynamics such as promoting collective harmony rather than individual uniqueness. Haruki Murakami...
Saved in:
Main Authors: | Sheba D. Mani,, Ravichandran Vengadasamy,, Shahizah Ismail Hamdan, |
---|---|
Format: | Article |
Language: | English |
Published: |
Penerbit Universiti Kebangsaan Malaysia
2017
|
Online Access: | http://journalarticle.ukm.my/10659/1/14429-47848-2-PB.pdf http://journalarticle.ukm.my/10659/ http://ejournal.ukm.my/gema/issue/view/897 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Violent memory: Haruki Murakami's hard-boiled wonderland and the end of the world
by: Mattar, Netty
Published: (2021) -
Kecerdasan emosi lelaki dalam novel-novel terpilih Anwar Ridhwan dan Haruki Murakami: Kajian perbandingan / Maznida Mahadi
by: Maznida , Mahadi
Published: (2019) -
Herland and Charlotte Perkin Gilman’s Utopian Social Vision of Women And Society
by: Shahizah Ismail Hamdan,, et al.
Published: (2006) -
Metaphors as ideological constructs for identity
in Malaysian short stories
by: Ravichandran Vengadasamy,
Published: (2011) -
Identity, tradition and the city: Dichotomies and realities of creating an Urban language of the Malay palace
by: Raja Abdul Kadir, Tengku Anis Qarihah, et al.
Published: (2018)