The Rock Art Of Kinta Valley,Perak, Malaysia

This dissertation investigates the rock art tradition of Peninsular Malaysia and explores its cultural affiliation, based on the rock art recorded in the Kinta Valley, Perak, Malaysia. Up until today, in-depth studies and international publications on rock art in Peninsular Malaysia were relative...

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Main Author: Saw, Chaw Yeh
Format: Thesis
Language:English
Published: 2022
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Online Access:http://eprints.usm.my/59927/1/SAW%20CHAW%20YEH%20-%20TESIS24.pdf
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spelling my.usm.eprints.59927 http://eprints.usm.my/59927/ The Rock Art Of Kinta Valley,Perak, Malaysia Saw, Chaw Yeh CC1-960 Archaeology This dissertation investigates the rock art tradition of Peninsular Malaysia and explores its cultural affiliation, based on the rock art recorded in the Kinta Valley, Perak, Malaysia. Up until today, in-depth studies and international publications on rock art in Peninsular Malaysia were relatively scarce. This study presents the results of systematic documentation of eleven rock art sites, namely Gua Kelawar, Gua Mat Surat, Gua Mat Surat 2, Gua Tambun, Gua Tempurung, Gua Toh Semelah, Karang Besar Rock Shelter, Keroh Rock Shelter 1, Keroh Rock Shelter 2, Kintaly Rock Shelter 1, and Kintaly Rock Shelter 2. The documentation method differs from the earlier studies in which it incorporated a five-level motif categorization model to eliminate analytical bias. The rock art was later analysed using multivariate analysis (correspondence analysis and multidimensional scaling) with additional comparative study to identify the relationship between sites. Apart from the previously known rock art traditions, which had been broadly divided into coloured and black rock art traditions, this study had identified five rock art sub-traditions (ST 1 – 5) across the Kinta Valley. The study suggests that the earliest phase of rock art comprises two subtraditions (ST 1 & ST 2) which began as early as the Hoabinhian period (~13,000 years ago). Both ST 1 and ST 2 can be found at rock shelters or caves and represented by coloured rock art depicting geometric shapes and zoomorphic figures. The other three sub-traditions are made up of black rock art, with an occasional depiction of white rock art. While ST 5 is clearly of the contact period since it often includes foreign subject matter, ST 3 and ST 4 predominantly consist of designs attributed to the Orang Asli culture. 2022-10 Thesis NonPeerReviewed application/pdf en http://eprints.usm.my/59927/1/SAW%20CHAW%20YEH%20-%20TESIS24.pdf Saw, Chaw Yeh (2022) The Rock Art Of Kinta Valley,Perak, Malaysia. PhD thesis, Universiti Sains Malaysia.
institution Universiti Sains Malaysia
building Hamzah Sendut Library
collection Institutional Repository
continent Asia
country Malaysia
content_provider Universiti Sains Malaysia
content_source USM Institutional Repository
url_provider http://eprints.usm.my/
language English
topic CC1-960 Archaeology
spellingShingle CC1-960 Archaeology
Saw, Chaw Yeh
The Rock Art Of Kinta Valley,Perak, Malaysia
description This dissertation investigates the rock art tradition of Peninsular Malaysia and explores its cultural affiliation, based on the rock art recorded in the Kinta Valley, Perak, Malaysia. Up until today, in-depth studies and international publications on rock art in Peninsular Malaysia were relatively scarce. This study presents the results of systematic documentation of eleven rock art sites, namely Gua Kelawar, Gua Mat Surat, Gua Mat Surat 2, Gua Tambun, Gua Tempurung, Gua Toh Semelah, Karang Besar Rock Shelter, Keroh Rock Shelter 1, Keroh Rock Shelter 2, Kintaly Rock Shelter 1, and Kintaly Rock Shelter 2. The documentation method differs from the earlier studies in which it incorporated a five-level motif categorization model to eliminate analytical bias. The rock art was later analysed using multivariate analysis (correspondence analysis and multidimensional scaling) with additional comparative study to identify the relationship between sites. Apart from the previously known rock art traditions, which had been broadly divided into coloured and black rock art traditions, this study had identified five rock art sub-traditions (ST 1 – 5) across the Kinta Valley. The study suggests that the earliest phase of rock art comprises two subtraditions (ST 1 & ST 2) which began as early as the Hoabinhian period (~13,000 years ago). Both ST 1 and ST 2 can be found at rock shelters or caves and represented by coloured rock art depicting geometric shapes and zoomorphic figures. The other three sub-traditions are made up of black rock art, with an occasional depiction of white rock art. While ST 5 is clearly of the contact period since it often includes foreign subject matter, ST 3 and ST 4 predominantly consist of designs attributed to the Orang Asli culture.
format Thesis
author Saw, Chaw Yeh
author_facet Saw, Chaw Yeh
author_sort Saw, Chaw Yeh
title The Rock Art Of Kinta Valley,Perak, Malaysia
title_short The Rock Art Of Kinta Valley,Perak, Malaysia
title_full The Rock Art Of Kinta Valley,Perak, Malaysia
title_fullStr The Rock Art Of Kinta Valley,Perak, Malaysia
title_full_unstemmed The Rock Art Of Kinta Valley,Perak, Malaysia
title_sort rock art of kinta valley,perak, malaysia
publishDate 2022
url http://eprints.usm.my/59927/1/SAW%20CHAW%20YEH%20-%20TESIS24.pdf
http://eprints.usm.my/59927/
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score 13.211869