Ruang Dan Memori Dalam Koreografi: Kajian Terhadap Karya Tari Sitespecific Oleh Koreografer Terpilih Di Malaysia

The phenomenon of site-specific performance in Malaysia develops through organized art programs and festivals. Different interpretations of site-specific performance terms are understood to be viewed through the work performed. However, in the global context, site-specific is more focused on a speci...

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Main Author: Abdul Wahid, Nurulakmal
Format: Thesis
Language:English
Published: 2021
Subjects:
Online Access:http://eprints.usm.my/55012/1/NURULAKMAL%20BINTI%20ABDUL%20WAHID%20-%20TESIS24.pdf
http://eprints.usm.my/55012/
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spelling my.usm.eprints.55012 http://eprints.usm.my/55012/ Ruang Dan Memori Dalam Koreografi: Kajian Terhadap Karya Tari Sitespecific Oleh Koreografer Terpilih Di Malaysia Abdul Wahid, Nurulakmal NX1-820 Arts in general The phenomenon of site-specific performance in Malaysia develops through organized art programs and festivals. Different interpretations of site-specific performance terms are understood to be viewed through the work performed. However, in the global context, site-specific is more focused on a specific location for a performance. The difference in understanding this term has contributed to the choreography concept in site-specific performance. The lack of understanding in structuring a site-specific performance has impacted the quality of works and choreography. This research carries out the objective of understanding the sitespecific term and classifying the relationship between space and memory within the context of site-specific choreography. The purpose is to analyze the use of space and memory in the site-specific choreographic process. This study also focuses on the relationship between space and memory as the key element to form a choreography by exploring a location. The exploration in the choreographic process involves twelve dance works produced in 2009 until 2018 by six local choreographers. The qualitative approach applies by engaging the process of data collection through interview protocols and fieldwork. Analysis of the findings is conducted through the Stage of Performance Work approach by Hunter (2005) and the Memory Input-Output by Herman Ebbinghaus (1962) and appointed by Baddeley (1997). The findings contribute to a specific restructuring of site-specific choreography in Malaysia involving the composition of the choreographic model as a guide in the process of presentation, teaching, and learning in university and Malaysia arts school 2021-10 Thesis NonPeerReviewed application/pdf en http://eprints.usm.my/55012/1/NURULAKMAL%20BINTI%20ABDUL%20WAHID%20-%20TESIS24.pdf Abdul Wahid, Nurulakmal (2021) Ruang Dan Memori Dalam Koreografi: Kajian Terhadap Karya Tari Sitespecific Oleh Koreografer Terpilih Di Malaysia. PhD thesis, Universiti Sains Malaysia..
institution Universiti Sains Malaysia
building Hamzah Sendut Library
collection Institutional Repository
continent Asia
country Malaysia
content_provider Universiti Sains Malaysia
content_source USM Institutional Repository
url_provider http://eprints.usm.my/
language English
topic NX1-820 Arts in general
spellingShingle NX1-820 Arts in general
Abdul Wahid, Nurulakmal
Ruang Dan Memori Dalam Koreografi: Kajian Terhadap Karya Tari Sitespecific Oleh Koreografer Terpilih Di Malaysia
description The phenomenon of site-specific performance in Malaysia develops through organized art programs and festivals. Different interpretations of site-specific performance terms are understood to be viewed through the work performed. However, in the global context, site-specific is more focused on a specific location for a performance. The difference in understanding this term has contributed to the choreography concept in site-specific performance. The lack of understanding in structuring a site-specific performance has impacted the quality of works and choreography. This research carries out the objective of understanding the sitespecific term and classifying the relationship between space and memory within the context of site-specific choreography. The purpose is to analyze the use of space and memory in the site-specific choreographic process. This study also focuses on the relationship between space and memory as the key element to form a choreography by exploring a location. The exploration in the choreographic process involves twelve dance works produced in 2009 until 2018 by six local choreographers. The qualitative approach applies by engaging the process of data collection through interview protocols and fieldwork. Analysis of the findings is conducted through the Stage of Performance Work approach by Hunter (2005) and the Memory Input-Output by Herman Ebbinghaus (1962) and appointed by Baddeley (1997). The findings contribute to a specific restructuring of site-specific choreography in Malaysia involving the composition of the choreographic model as a guide in the process of presentation, teaching, and learning in university and Malaysia arts school
format Thesis
author Abdul Wahid, Nurulakmal
author_facet Abdul Wahid, Nurulakmal
author_sort Abdul Wahid, Nurulakmal
title Ruang Dan Memori Dalam Koreografi: Kajian Terhadap Karya Tari Sitespecific Oleh Koreografer Terpilih Di Malaysia
title_short Ruang Dan Memori Dalam Koreografi: Kajian Terhadap Karya Tari Sitespecific Oleh Koreografer Terpilih Di Malaysia
title_full Ruang Dan Memori Dalam Koreografi: Kajian Terhadap Karya Tari Sitespecific Oleh Koreografer Terpilih Di Malaysia
title_fullStr Ruang Dan Memori Dalam Koreografi: Kajian Terhadap Karya Tari Sitespecific Oleh Koreografer Terpilih Di Malaysia
title_full_unstemmed Ruang Dan Memori Dalam Koreografi: Kajian Terhadap Karya Tari Sitespecific Oleh Koreografer Terpilih Di Malaysia
title_sort ruang dan memori dalam koreografi: kajian terhadap karya tari sitespecific oleh koreografer terpilih di malaysia
publishDate 2021
url http://eprints.usm.my/55012/1/NURULAKMAL%20BINTI%20ABDUL%20WAHID%20-%20TESIS24.pdf
http://eprints.usm.my/55012/
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score 13.159267