Reading Painting as Visual Autobiography: Peranakan Paintings by Sylvia Lee Goh
Sylvia Lee Goh had her first solo show in May 1998 at the Creative Center of the National Art Gallery, Kuala Lumpur in an exhibition entitled “Two Decades of Art from the Heart”. Having partaken in more than 50 exhibitions locally and abroad, Sylvia's works exemplify a captured and frozen mo...
Saved in:
Main Author: | Abdullah, Sarena |
---|---|
Format: | Conference or Workshop Item |
Language: | English |
Published: |
2015
|
Subjects: | |
Online Access: | http://eprints.usm.my/30910/1/ICONSEASylviaLeeGoh.pdf http://eprints.usm.my/30910/ |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Iconological Analysis of the Peranakan Intimate Lifestyle: A Case Study of Sylvia Lee Goh’s Woman, Oh! Woman Painting Series
by: Musa , Eddy Izuwan, et al.
Published: (2017) -
Kain Hitam Cave (Painted Cave) Niah, Sarawak: The Relationship of Boat-Shaped Coffin and Rock Painting
by: Junior Kimwah, et al.
Published: (2020) -
COMPOSITION BASED ON THE SELECTED ARTISTS' PORTRAIT PAINTING STUDY
by: YU, WEI CHOW
Published: (2017) -
Pullman Kuching holds inaugural art painting competition - TBP
by: The Borneo Post, .
Published: (2019) -
Visual Ethnography and Its Application in Ethnographic Painting
by: Mohd Rafee, Yakup, et al.
Published: (2015)