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Cultural revolution and political ambivalence in Zhao Xiaosheng’s Two Ballades for piano solo

The ascendancy of China’s Cultural Revolution led to a purge of the rightists, including musicians. This article unveils composer Zhao Xiaosheng’s emotional entanglement of fear and suppressed hostility toward the revolution, reflected in the political and artistic ambivalence in his two ballades fo...

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Main Authors: Ke, Xue, Loo, Fung Ying, Loo, Fung Chiat, Xiaohang, Wang
Format: Article
Language:English
Published: University of Ljubljana 2021
Online Access:http://psasir.upm.edu.my/id/eprint/96575/1/ABSTRACT.pdf
http://psasir.upm.edu.my/id/eprint/96575/
https://journals.uni-lj.si/MuzikoloskiZbornik/article/view/9488
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spelling my.upm.eprints.965752023-01-11T07:11:15Z http://psasir.upm.edu.my/id/eprint/96575/ Cultural revolution and political ambivalence in Zhao Xiaosheng’s Two Ballades for piano solo Ke, Xue Loo, Fung Ying Loo, Fung Chiat Xiaohang, Wang The ascendancy of China’s Cultural Revolution led to a purge of the rightists, including musicians. This article unveils composer Zhao Xiaosheng’s emotional entanglement of fear and suppressed hostility toward the revolution, reflected in the political and artistic ambivalence in his two ballades for solo piano composed after his father’s death. University of Ljubljana 2021 Article PeerReviewed text en http://psasir.upm.edu.my/id/eprint/96575/1/ABSTRACT.pdf Ke, Xue and Loo, Fung Ying and Loo, Fung Chiat and Xiaohang, Wang (2021) Cultural revolution and political ambivalence in Zhao Xiaosheng’s Two Ballades for piano solo. Muzikoloski Zbornik, 57 (1). 149 - 175. ISSN 0580-373X; ESSN: 2350-4242 https://journals.uni-lj.si/MuzikoloskiZbornik/article/view/9488 10.4312/mz.57.1.149-175
institution Universiti Putra Malaysia
building UPM Library
collection Institutional Repository
continent Asia
country Malaysia
content_provider Universiti Putra Malaysia
content_source UPM Institutional Repository
url_provider http://psasir.upm.edu.my/
language English
description The ascendancy of China’s Cultural Revolution led to a purge of the rightists, including musicians. This article unveils composer Zhao Xiaosheng’s emotional entanglement of fear and suppressed hostility toward the revolution, reflected in the political and artistic ambivalence in his two ballades for solo piano composed after his father’s death.
format Article
author Ke, Xue
Loo, Fung Ying
Loo, Fung Chiat
Xiaohang, Wang
spellingShingle Ke, Xue
Loo, Fung Ying
Loo, Fung Chiat
Xiaohang, Wang
Cultural revolution and political ambivalence in Zhao Xiaosheng’s Two Ballades for piano solo
author_facet Ke, Xue
Loo, Fung Ying
Loo, Fung Chiat
Xiaohang, Wang
author_sort Ke, Xue
title Cultural revolution and political ambivalence in Zhao Xiaosheng’s Two Ballades for piano solo
title_short Cultural revolution and political ambivalence in Zhao Xiaosheng’s Two Ballades for piano solo
title_full Cultural revolution and political ambivalence in Zhao Xiaosheng’s Two Ballades for piano solo
title_fullStr Cultural revolution and political ambivalence in Zhao Xiaosheng’s Two Ballades for piano solo
title_full_unstemmed Cultural revolution and political ambivalence in Zhao Xiaosheng’s Two Ballades for piano solo
title_sort cultural revolution and political ambivalence in zhao xiaosheng’s two ballades for piano solo
publisher University of Ljubljana
publishDate 2021
url http://psasir.upm.edu.my/id/eprint/96575/1/ABSTRACT.pdf
http://psasir.upm.edu.my/id/eprint/96575/
https://journals.uni-lj.si/MuzikoloskiZbornik/article/view/9488
_version_ 1755873915142406144
score 13.211869

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