An analysis of absurd aesthetics connotation of the small characters in “The Unknown”, Chinese’s humor typo film
In film noir, by portraying the fate of the little character, under a certain social form, the absurdity of the little character image and the absurdity of social life are displayed. The absurd individual and the absurd society realize the wholeness of the interpretation of the little character ima...
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| Main Authors: | , , , |
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| Format: | Article |
| Published: |
Rogers Media Publishing
2021
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| Online Access: | http://psasir.upm.edu.my/id/eprint/95809/ https://www.researchgate.net/publication/356907540_An_Analysis_of_Absurd_Aesthetics_Connotation_of_the_Small_Characters_in_The_Unknown_Chinese's_humor_typo_Film |
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| Summary: | In film noir, by portraying the fate of the little character, under a certain social form, the absurdity of the little character image and the absurdity of social life are displayed. The absurd individual and the absurd society realize the wholeness of the interpretation of the
little character image. The shaping of the life image of the small person originates from the absurd value existence of rational and irrational, and achieves an effect under the influence of absurdity. This article will explore the absurdity of aesthetics and the characteristics of black humor films, the absurdity of the image of the small person, and the reflection on the image of the small person, so as to explore the absurd aesthetic meaning of the image of the small person in the black humor film. Although the small person is a social reality, it is ignored. Individuals, but portraying absurdity through an aesthetic perspective can better show the
overall emotional expression of small characters. |
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