Literary representations of capitalist dictatorship in transcultural adaptations of Brecht’s The Resistible Rise of Arturo Ui by Ajoka theatre in Pakistan
Brecht’s ‘canonical’ literary work’s indigenization in Pakistan can offer a valuable transcultural adaptation study because it was performed through a radical theatre with a distinct dramaturgy and political philosophy in two different cultural contexts and historical frame of references. As the for...
Saved in:
Main Authors: | , |
---|---|
Format: | Article |
Language: | English |
Published: |
Australian International Academic Centre
2017
|
Online Access: | http://psasir.upm.edu.my/id/eprint/62316/1/Literary%20representations%20of%20capitalist%20dictatorship.pdf http://psasir.upm.edu.my/id/eprint/62316/ http://www.journals.aiac.org.au/index.php/IJCLTS/article/view/3075 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
my.upm.eprints.62316 |
---|---|
record_format |
eprints |
spelling |
my.upm.eprints.623162019-10-31T03:19:42Z http://psasir.upm.edu.my/id/eprint/62316/ Literary representations of capitalist dictatorship in transcultural adaptations of Brecht’s The Resistible Rise of Arturo Ui by Ajoka theatre in Pakistan Kayani, Taimur Ali Termizi, Arbaayah Brecht’s ‘canonical’ literary work’s indigenization in Pakistan can offer a valuable transcultural adaptation study because it was performed through a radical theatre with a distinct dramaturgy and political philosophy in two different cultural contexts and historical frame of references. As the foremost representative of Brecht’s radical dramaturgy, philosophy and literary works in Pakistan since 1983, Ajoka theatre utilized these adaptations as socio-political spaces to challenge dominant discourses on the rise of dictatorship and capitalism in Pakistan. Prior studies explored the formal elements of these adaptations of The Resistible Rise of Arturo Ui(1942) : visual and aural and the intellectual content i.e. political dimension of this ‘social action theatre’ is still unexamined. This contextual reading attempts to fulfill this ‘gap’ by conducting a seminal contextual criticism on ‘literary representations’ of Pakistani pro-capitalist dictators in selected transcultural adaptations of Brecht’s work in light of new historicism and Hutcheon’s Theory of Adaptation. The article also explores how in the second phase Brecht’s social and political philosophy is reflected in Ajoka’s signature plays, Bala King (1997) and The Third Knock (1970). Australian International Academic Centre 2017-01 Article PeerReviewed text en http://psasir.upm.edu.my/id/eprint/62316/1/Literary%20representations%20of%20capitalist%20dictatorship.pdf Kayani, Taimur and Ali Termizi, Arbaayah (2017) Literary representations of capitalist dictatorship in transcultural adaptations of Brecht’s The Resistible Rise of Arturo Ui by Ajoka theatre in Pakistan. International Journal of Comparative Literature and Translation Studies, 5 (1). 16- 26. ISSN 2202-9451 http://www.journals.aiac.org.au/index.php/IJCLTS/article/view/3075 10.7575/aiac.ijclts.v.5n.1p.16 |
institution |
Universiti Putra Malaysia |
building |
UPM Library |
collection |
Institutional Repository |
continent |
Asia |
country |
Malaysia |
content_provider |
Universiti Putra Malaysia |
content_source |
UPM Institutional Repository |
url_provider |
http://psasir.upm.edu.my/ |
language |
English |
description |
Brecht’s ‘canonical’ literary work’s indigenization in Pakistan can offer a valuable transcultural adaptation study because it was performed through a radical theatre with a distinct dramaturgy and political philosophy in two different cultural contexts and historical frame of references. As the foremost representative of Brecht’s radical dramaturgy, philosophy and literary works in Pakistan since 1983, Ajoka theatre utilized these adaptations as socio-political spaces to challenge dominant discourses on the rise of dictatorship and capitalism in Pakistan. Prior studies explored the formal elements of these adaptations of The Resistible Rise of Arturo Ui(1942) : visual and aural and the intellectual content i.e. political dimension of this ‘social action theatre’ is still unexamined. This contextual reading attempts to fulfill this ‘gap’ by conducting a seminal contextual criticism on ‘literary representations’ of Pakistani pro-capitalist dictators in selected transcultural adaptations of Brecht’s work in light of new historicism and Hutcheon’s Theory of Adaptation. The article also explores how in the second phase Brecht’s social and political philosophy is reflected in Ajoka’s signature plays, Bala King (1997) and The Third Knock (1970). |
format |
Article |
author |
Kayani, Taimur Ali Termizi, Arbaayah |
spellingShingle |
Kayani, Taimur Ali Termizi, Arbaayah Literary representations of capitalist dictatorship in transcultural adaptations of Brecht’s The Resistible Rise of Arturo Ui by Ajoka theatre in Pakistan |
author_facet |
Kayani, Taimur Ali Termizi, Arbaayah |
author_sort |
Kayani, Taimur |
title |
Literary representations of capitalist dictatorship in transcultural adaptations of Brecht’s The Resistible Rise of Arturo Ui by Ajoka theatre in Pakistan |
title_short |
Literary representations of capitalist dictatorship in transcultural adaptations of Brecht’s The Resistible Rise of Arturo Ui by Ajoka theatre in Pakistan |
title_full |
Literary representations of capitalist dictatorship in transcultural adaptations of Brecht’s The Resistible Rise of Arturo Ui by Ajoka theatre in Pakistan |
title_fullStr |
Literary representations of capitalist dictatorship in transcultural adaptations of Brecht’s The Resistible Rise of Arturo Ui by Ajoka theatre in Pakistan |
title_full_unstemmed |
Literary representations of capitalist dictatorship in transcultural adaptations of Brecht’s The Resistible Rise of Arturo Ui by Ajoka theatre in Pakistan |
title_sort |
literary representations of capitalist dictatorship in transcultural adaptations of brecht’s the resistible rise of arturo ui by ajoka theatre in pakistan |
publisher |
Australian International Academic Centre |
publishDate |
2017 |
url |
http://psasir.upm.edu.my/id/eprint/62316/1/Literary%20representations%20of%20capitalist%20dictatorship.pdf http://psasir.upm.edu.my/id/eprint/62316/ http://www.journals.aiac.org.au/index.php/IJCLTS/article/view/3075 |
_version_ |
1651869087661293568 |
score |
13.18916 |