Identiti Bidayuh Sarawak dalam tarian Langgie Pingadap

Langgie Pingadap dance was performed by ethnic Bidayuh Bukar in Sarawak after harvest work performed as a prayer of gratitude to God on the yield obtained. Langgie Pingadap dance is a reflection identity of the Bidayuh community that often associated with hill paddy farming activities. It is appropr...

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Main Authors: Magiman, Mohamad Maulana, Salleh, Norhuda
Format: Article
Language:Malay
Published: University of Malaya 2017
Online Access:http://psasir.upm.edu.my/id/eprint/62077/1/Bidayuh%20Sarawak%E2%80%99s%20identity%20in%20Langgie%20Pingadap%20dance.pdf
http://psasir.upm.edu.my/id/eprint/62077/
https://borneojournal.um.edu.my/article/view/10195
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spelling my.upm.eprints.620772019-03-22T08:58:04Z http://psasir.upm.edu.my/id/eprint/62077/ Identiti Bidayuh Sarawak dalam tarian Langgie Pingadap Magiman, Mohamad Maulana Salleh, Norhuda Langgie Pingadap dance was performed by ethnic Bidayuh Bukar in Sarawak after harvest work performed as a prayer of gratitude to God on the yield obtained. Langgie Pingadap dance is a reflection identity of the Bidayuh community that often associated with hill paddy farming activities. It is appropriate for the life of this community, also known as the Land Dayaks who inhabit the land and run hill paddy farming. This study identified the Bidayuh community identity through Langgie Pingadap dance movement and also study the symbols used in the dance itself. To achieve the objectives of the research, ethnographic methods was used in this study. This method focuses on social phenomena from the perspective of the involvement of researchers and respondents were implemented. This study found that the identity featured by the Bidayuh dance adapted from their lives as rice farmers hill. The elements of unification clearly shown in every dance performed. The use of the symbol is highlighted by the selection of colour in clothes of black as the base colour, red and yellow as the colour combination. Besides the clothing also graced with floral motifs and decoration which means leading to the formation of the identity of the Bidayuh. The modernization also has allowed this dance continues to be practiced but with some modifications based on changes in people's confidence in the practitioner. In the past time, this dance once performed among the Bidayuh farmers only, but now it has been presented during the Gawai festival each year. The meaning of this dance in the Gawai festival is to welcome the guests and the spirit of joint action between the guest and the host. University of Malaya 2017 Article NonPeerReviewed text ms http://psasir.upm.edu.my/id/eprint/62077/1/Bidayuh%20Sarawak%E2%80%99s%20identity%20in%20Langgie%20Pingadap%20dance.pdf Magiman, Mohamad Maulana and Salleh, Norhuda (2017) Identiti Bidayuh Sarawak dalam tarian Langgie Pingadap. Borneo Research Journal, 11. 46 - 59. ISSN 1985-5443 https://borneojournal.um.edu.my/article/view/10195
institution Universiti Putra Malaysia
building UPM Library
collection Institutional Repository
continent Asia
country Malaysia
content_provider Universiti Putra Malaysia
content_source UPM Institutional Repository
url_provider http://psasir.upm.edu.my/
language Malay
description Langgie Pingadap dance was performed by ethnic Bidayuh Bukar in Sarawak after harvest work performed as a prayer of gratitude to God on the yield obtained. Langgie Pingadap dance is a reflection identity of the Bidayuh community that often associated with hill paddy farming activities. It is appropriate for the life of this community, also known as the Land Dayaks who inhabit the land and run hill paddy farming. This study identified the Bidayuh community identity through Langgie Pingadap dance movement and also study the symbols used in the dance itself. To achieve the objectives of the research, ethnographic methods was used in this study. This method focuses on social phenomena from the perspective of the involvement of researchers and respondents were implemented. This study found that the identity featured by the Bidayuh dance adapted from their lives as rice farmers hill. The elements of unification clearly shown in every dance performed. The use of the symbol is highlighted by the selection of colour in clothes of black as the base colour, red and yellow as the colour combination. Besides the clothing also graced with floral motifs and decoration which means leading to the formation of the identity of the Bidayuh. The modernization also has allowed this dance continues to be practiced but with some modifications based on changes in people's confidence in the practitioner. In the past time, this dance once performed among the Bidayuh farmers only, but now it has been presented during the Gawai festival each year. The meaning of this dance in the Gawai festival is to welcome the guests and the spirit of joint action between the guest and the host.
format Article
author Magiman, Mohamad Maulana
Salleh, Norhuda
spellingShingle Magiman, Mohamad Maulana
Salleh, Norhuda
Identiti Bidayuh Sarawak dalam tarian Langgie Pingadap
author_facet Magiman, Mohamad Maulana
Salleh, Norhuda
author_sort Magiman, Mohamad Maulana
title Identiti Bidayuh Sarawak dalam tarian Langgie Pingadap
title_short Identiti Bidayuh Sarawak dalam tarian Langgie Pingadap
title_full Identiti Bidayuh Sarawak dalam tarian Langgie Pingadap
title_fullStr Identiti Bidayuh Sarawak dalam tarian Langgie Pingadap
title_full_unstemmed Identiti Bidayuh Sarawak dalam tarian Langgie Pingadap
title_sort identiti bidayuh sarawak dalam tarian langgie pingadap
publisher University of Malaya
publishDate 2017
url http://psasir.upm.edu.my/id/eprint/62077/1/Bidayuh%20Sarawak%E2%80%99s%20identity%20in%20Langgie%20Pingadap%20dance.pdf
http://psasir.upm.edu.my/id/eprint/62077/
https://borneojournal.um.edu.my/article/view/10195
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score 13.188404