Between ethics and existentialism: placing film communities
Generally, film communities around the world are perceived to be sharing the singular purpose of showing films outside of cinema theatres. Film screening by non-profits is increasingly a social practice that is gaining traction as part of the globalized but independent “Do-It-Yourself” cultural move...
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Taylor's University
2023
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my.upm.eprints.1068612024-08-12T06:47:45Z http://psasir.upm.edu.my/id/eprint/106861/ Between ethics and existentialism: placing film communities Abu Hassan, Badrul Redzuan Abdul Latif, Roslina Yaakup, Hani Salwah Selvaraj, Madhumita Generally, film communities around the world are perceived to be sharing the singular purpose of showing films outside of cinema theatres. Film screening by non-profits is increasingly a social practice that is gaining traction as part of the globalized but independent “Do-It-Yourself” cultural movement comprising and undertaken by a plethora of agentive, social citizens: cineastes, filmmakers, and enthusiasts. Film communities may be seen as part of cultural “modernity” as they generally emerged well after a national film industry’s exhibition and distribution chains have been established. As such, film communities should not be considered a bane to any local industry in any competitive respect. They are peripheral, if not invisible to market forces and the marketplace. Nonetheless, a film community may have its own moral codes of conduct and rationale for its presence in the society. Taylor's University 2023 Article PeerReviewed Abu Hassan, Badrul Redzuan and Abdul Latif, Roslina and Yaakup, Hani Salwah and Selvaraj, Madhumita (2023) Between ethics and existentialism: placing film communities. SEARCH Journal of Media and Communication Research (spec.). pp. 1-15. ISSN 2672-7080 https://fslmjournals.taylors.edu.my/between-ethics-and-existentialism-placing-film-communities/ |
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Generally, film communities around the world are perceived to be sharing the singular purpose of showing films outside of cinema theatres. Film screening by non-profits is increasingly a social practice that is gaining traction as part of the globalized but independent “Do-It-Yourself” cultural movement comprising and undertaken by a plethora of agentive, social citizens: cineastes, filmmakers, and enthusiasts. Film communities may be seen as part of cultural “modernity” as they generally emerged well after a national film industry’s exhibition and distribution chains have been established. As such, film communities should not be considered a bane to any local industry in any competitive respect. They are peripheral, if not invisible to market forces and the marketplace. Nonetheless, a film community may have its own moral codes of conduct and rationale for its presence in the society. |
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Article |
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Abu Hassan, Badrul Redzuan Abdul Latif, Roslina Yaakup, Hani Salwah Selvaraj, Madhumita |
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Abu Hassan, Badrul Redzuan Abdul Latif, Roslina Yaakup, Hani Salwah Selvaraj, Madhumita Between ethics and existentialism: placing film communities |
author_facet |
Abu Hassan, Badrul Redzuan Abdul Latif, Roslina Yaakup, Hani Salwah Selvaraj, Madhumita |
author_sort |
Abu Hassan, Badrul Redzuan |
title |
Between ethics and existentialism: placing film communities |
title_short |
Between ethics and existentialism: placing film communities |
title_full |
Between ethics and existentialism: placing film communities |
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Between ethics and existentialism: placing film communities |
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Between ethics and existentialism: placing film communities |
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between ethics and existentialism: placing film communities |
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Taylor's University |
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2023 |
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http://psasir.upm.edu.my/id/eprint/106861/ https://fslmjournals.taylors.edu.my/between-ethics-and-existentialism-placing-film-communities/ |
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