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Sound Art in Malaysia from a Malaysian Sound Artist Perspective

Early exploration of the use of computers in Musical Instrument Digital Interface (MIDI), somehow allowed me to venture further into the domain of sound. Nothing much was known or noted in terms of the notion or historical perspectives of electroacoustic music in Malaysia. Unlike in the West, our m...

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Main Author: Hasnizam, Abdul Wahid
Format: Article
Language:English
Published: Malaysian Music Journal 2013
Subjects:
N Visual arts (General) For photography, see TR
Online Access:http://ir.unimas.my/id/eprint/4388/1/Hasnizam.pdf
http://ir.unimas.my/id/eprint/4388/
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spelling my.unimas.ir.43882022-01-25T06:22:54Z http://ir.unimas.my/id/eprint/4388/ Sound Art in Malaysia from a Malaysian Sound Artist Perspective Hasnizam, Abdul Wahid N Visual arts (General) For photography, see TR Early exploration of the use of computers in Musical Instrument Digital Interface (MIDI), somehow allowed me to venture further into the domain of sound. Nothing much was known or noted in terms of the notion or historical perspectives of electroacoustic music in Malaysia. Unlike in the West, our music industry accommodated Western music, particularly popular music, but not experimental or electroacoustic music. The advancement in computer technology in music applications introduced new creative ideas, and its democratization permitted more creative exploration, technically and aesthetically. This paper is a recollection of the long journey of a Malaysian composer venturing into electroacoustic music. Malaysian Music Journal 2013 Article PeerReviewed text en http://ir.unimas.my/id/eprint/4388/1/Hasnizam.pdf Hasnizam, Abdul Wahid (2013) Sound Art in Malaysia from a Malaysian Sound Artist Perspective. Malaysian Music Journal, 2 (2). pp. 118-128. ISSN 2232-1020
institution Universiti Malaysia Sarawak
building Centre for Academic Information Services (CAIS)
collection Institutional Repository
continent Asia
country Malaysia
content_provider Universiti Malaysia Sarawak
content_source UNIMAS Institutional Repository
url_provider http://ir.unimas.my/
language English
topic N Visual arts (General) For photography, see TR
spellingShingle N Visual arts (General) For photography, see TR
Hasnizam, Abdul Wahid
Sound Art in Malaysia from a Malaysian Sound Artist Perspective
description Early exploration of the use of computers in Musical Instrument Digital Interface (MIDI), somehow allowed me to venture further into the domain of sound. Nothing much was known or noted in terms of the notion or historical perspectives of electroacoustic music in Malaysia. Unlike in the West, our music industry accommodated Western music, particularly popular music, but not experimental or electroacoustic music. The advancement in computer technology in music applications introduced new creative ideas, and its democratization permitted more creative exploration, technically and aesthetically. This paper is a recollection of the long journey of a Malaysian composer venturing into electroacoustic music.
format Article
author Hasnizam, Abdul Wahid
author_facet Hasnizam, Abdul Wahid
author_sort Hasnizam, Abdul Wahid
title Sound Art in Malaysia from a Malaysian Sound Artist Perspective
title_short Sound Art in Malaysia from a Malaysian Sound Artist Perspective
title_full Sound Art in Malaysia from a Malaysian Sound Artist Perspective
title_fullStr Sound Art in Malaysia from a Malaysian Sound Artist Perspective
title_full_unstemmed Sound Art in Malaysia from a Malaysian Sound Artist Perspective
title_sort sound art in malaysia from a malaysian sound artist perspective
publisher Malaysian Music Journal
publishDate 2013
url http://ir.unimas.my/id/eprint/4388/1/Hasnizam.pdf
http://ir.unimas.my/id/eprint/4388/
_version_ 1724078437901008896
score 13.159267

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