THE STUDY OF MATERIAL CULTURE OF THE IBAN COMMUNITY IN SARAWAK: NGEPAN

Cultural identity is a specific word that refers to individuals and communities in distinguishing themselves from others. One of the most dominant identities in a community culture is traditional clothing. In Sarawak, the traditional dress for the Iban is commonly known as...

Full description

Saved in:
Bibliographic Details
Main Authors: Noria, Tugang, Gregory, Kiyai @ Keai
Format: Article
Language:English
Published: UNIMAS Publisher 2021
Subjects:
Online Access:http://ir.unimas.my/id/eprint/37009/1/Noria%20Tugang.pdf
http://ir.unimas.my/id/eprint/37009/
https://publisher.unimas.my/ojs/index.php/IJACA/issue/current
Tags: Add Tag
No Tags, Be the first to tag this record!
id my.unimas.ir.37009
record_format eprints
spelling my.unimas.ir.370092021-12-08T07:26:15Z http://ir.unimas.my/id/eprint/37009/ THE STUDY OF MATERIAL CULTURE OF THE IBAN COMMUNITY IN SARAWAK: NGEPAN Noria, Tugang Gregory, Kiyai @ Keai NX Arts in general Cultural identity is a specific word that refers to individuals and communities in distinguishing themselves from others. One of the most dominant identities in a community culture is traditional clothing. In Sarawak, the traditional dress for the Iban is commonly known as Ngepan Indu. The Ngepan Indu is often worn during the Gawai Dayak celebration season as well as several other ritual ceremonies such as the Miring ceremony (Offerings) and Melah Pinang (Marriage). The Ibancommunity believes that the Ngep an Iban is an identity and cultural icon in today's customs. Apart from that, Ngepan Iban is one of the treasures and legacies of Petara (God) who inhabited a kingdom called Panggau Libau, Tinting Gawai Gasing Gerah Layang so that Iban always remembered Petara and the origin of Iban'sancestors. This paper aims to analyze and understand the Ngepan Indu in the context of the custom and culture of the Iban community by using the qualitative research method based on the collective memory of the Ibancultural experts in Sarawak. Through this research, it is expected to have an effective and progressive impact to regenerate the spirit of Iban culture to continue persistently preserve the Ngepan Iban as a cultural heritage from the ancestors of the past, so that it will continue to be preserved for the future. UNIMAS Publisher 2021 Article PeerReviewed text en http://ir.unimas.my/id/eprint/37009/1/Noria%20Tugang.pdf Noria, Tugang and Gregory, Kiyai @ Keai (2021) THE STUDY OF MATERIAL CULTURE OF THE IBAN COMMUNITY IN SARAWAK: NGEPAN. International Journal of Applied and Creative Arts, 4 (1). https://publisher.unimas.my/ojs/index.php/IJACA/issue/current
institution Universiti Malaysia Sarawak
building Centre for Academic Information Services (CAIS)
collection Institutional Repository
continent Asia
country Malaysia
content_provider Universiti Malaysia Sarawak
content_source UNIMAS Institutional Repository
url_provider http://ir.unimas.my/
language English
topic NX Arts in general
spellingShingle NX Arts in general
Noria, Tugang
Gregory, Kiyai @ Keai
THE STUDY OF MATERIAL CULTURE OF THE IBAN COMMUNITY IN SARAWAK: NGEPAN
description Cultural identity is a specific word that refers to individuals and communities in distinguishing themselves from others. One of the most dominant identities in a community culture is traditional clothing. In Sarawak, the traditional dress for the Iban is commonly known as Ngepan Indu. The Ngepan Indu is often worn during the Gawai Dayak celebration season as well as several other ritual ceremonies such as the Miring ceremony (Offerings) and Melah Pinang (Marriage). The Ibancommunity believes that the Ngep an Iban is an identity and cultural icon in today's customs. Apart from that, Ngepan Iban is one of the treasures and legacies of Petara (God) who inhabited a kingdom called Panggau Libau, Tinting Gawai Gasing Gerah Layang so that Iban always remembered Petara and the origin of Iban'sancestors. This paper aims to analyze and understand the Ngepan Indu in the context of the custom and culture of the Iban community by using the qualitative research method based on the collective memory of the Ibancultural experts in Sarawak. Through this research, it is expected to have an effective and progressive impact to regenerate the spirit of Iban culture to continue persistently preserve the Ngepan Iban as a cultural heritage from the ancestors of the past, so that it will continue to be preserved for the future.
format Article
author Noria, Tugang
Gregory, Kiyai @ Keai
author_facet Noria, Tugang
Gregory, Kiyai @ Keai
author_sort Noria, Tugang
title THE STUDY OF MATERIAL CULTURE OF THE IBAN COMMUNITY IN SARAWAK: NGEPAN
title_short THE STUDY OF MATERIAL CULTURE OF THE IBAN COMMUNITY IN SARAWAK: NGEPAN
title_full THE STUDY OF MATERIAL CULTURE OF THE IBAN COMMUNITY IN SARAWAK: NGEPAN
title_fullStr THE STUDY OF MATERIAL CULTURE OF THE IBAN COMMUNITY IN SARAWAK: NGEPAN
title_full_unstemmed THE STUDY OF MATERIAL CULTURE OF THE IBAN COMMUNITY IN SARAWAK: NGEPAN
title_sort study of material culture of the iban community in sarawak: ngepan
publisher UNIMAS Publisher
publishDate 2021
url http://ir.unimas.my/id/eprint/37009/1/Noria%20Tugang.pdf
http://ir.unimas.my/id/eprint/37009/
https://publisher.unimas.my/ojs/index.php/IJACA/issue/current
_version_ 1718930134042411008
score 13.209306