THE STUDY OF MATERIAL CULTURE OF THE IBAN COMMUNITY IN SARAWAK: NGEPAN
Cultural identity is a specific word that refers to individuals and communities in distinguishing themselves from others. One of the most dominant identities in a community culture is traditional clothing. In Sarawak, the traditional dress for the Iban is commonly known as...
Saved in:
Main Authors: | , |
---|---|
Format: | Article |
Language: | English |
Published: |
UNIMAS Publisher
2021
|
Subjects: | |
Online Access: | http://ir.unimas.my/id/eprint/37009/1/Noria%20Tugang.pdf http://ir.unimas.my/id/eprint/37009/ https://publisher.unimas.my/ojs/index.php/IJACA/issue/current |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
my.unimas.ir.37009 |
---|---|
record_format |
eprints |
spelling |
my.unimas.ir.370092021-12-08T07:26:15Z http://ir.unimas.my/id/eprint/37009/ THE STUDY OF MATERIAL CULTURE OF THE IBAN COMMUNITY IN SARAWAK: NGEPAN Noria, Tugang Gregory, Kiyai @ Keai NX Arts in general Cultural identity is a specific word that refers to individuals and communities in distinguishing themselves from others. One of the most dominant identities in a community culture is traditional clothing. In Sarawak, the traditional dress for the Iban is commonly known as Ngepan Indu. The Ngepan Indu is often worn during the Gawai Dayak celebration season as well as several other ritual ceremonies such as the Miring ceremony (Offerings) and Melah Pinang (Marriage). The Ibancommunity believes that the Ngep an Iban is an identity and cultural icon in today's customs. Apart from that, Ngepan Iban is one of the treasures and legacies of Petara (God) who inhabited a kingdom called Panggau Libau, Tinting Gawai Gasing Gerah Layang so that Iban always remembered Petara and the origin of Iban'sancestors. This paper aims to analyze and understand the Ngepan Indu in the context of the custom and culture of the Iban community by using the qualitative research method based on the collective memory of the Ibancultural experts in Sarawak. Through this research, it is expected to have an effective and progressive impact to regenerate the spirit of Iban culture to continue persistently preserve the Ngepan Iban as a cultural heritage from the ancestors of the past, so that it will continue to be preserved for the future. UNIMAS Publisher 2021 Article PeerReviewed text en http://ir.unimas.my/id/eprint/37009/1/Noria%20Tugang.pdf Noria, Tugang and Gregory, Kiyai @ Keai (2021) THE STUDY OF MATERIAL CULTURE OF THE IBAN COMMUNITY IN SARAWAK: NGEPAN. International Journal of Applied and Creative Arts, 4 (1). https://publisher.unimas.my/ojs/index.php/IJACA/issue/current |
institution |
Universiti Malaysia Sarawak |
building |
Centre for Academic Information Services (CAIS) |
collection |
Institutional Repository |
continent |
Asia |
country |
Malaysia |
content_provider |
Universiti Malaysia Sarawak |
content_source |
UNIMAS Institutional Repository |
url_provider |
http://ir.unimas.my/ |
language |
English |
topic |
NX Arts in general |
spellingShingle |
NX Arts in general Noria, Tugang Gregory, Kiyai @ Keai THE STUDY OF MATERIAL CULTURE OF THE IBAN COMMUNITY IN SARAWAK: NGEPAN |
description |
Cultural identity is a specific word that refers to individuals and communities in distinguishing themselves from others. One of the most dominant identities in a community culture is traditional clothing. In Sarawak, the traditional dress for the Iban is commonly known as Ngepan Indu. The Ngepan Indu is often worn during the Gawai Dayak celebration season as well as several other ritual ceremonies such as the Miring ceremony (Offerings) and Melah Pinang (Marriage). The Ibancommunity believes that the Ngep an Iban is an identity and cultural icon in today's customs. Apart from that, Ngepan Iban is one of the treasures and legacies of Petara (God) who inhabited a kingdom called Panggau Libau, Tinting Gawai Gasing Gerah Layang so that Iban always remembered Petara and the origin of Iban'sancestors. This paper aims to analyze and understand the Ngepan Indu in the context of the custom and culture of the Iban community by using the qualitative research method based on the collective memory of the Ibancultural experts in Sarawak. Through this research, it is expected to have an effective and progressive impact to regenerate the spirit of Iban culture to continue persistently preserve the Ngepan Iban as a cultural heritage from the ancestors of the past, so that it will continue to be preserved for the future. |
format |
Article |
author |
Noria, Tugang Gregory, Kiyai @ Keai |
author_facet |
Noria, Tugang Gregory, Kiyai @ Keai |
author_sort |
Noria, Tugang |
title |
THE STUDY OF MATERIAL CULTURE OF THE IBAN COMMUNITY IN SARAWAK: NGEPAN |
title_short |
THE STUDY OF MATERIAL CULTURE OF THE IBAN COMMUNITY IN SARAWAK: NGEPAN |
title_full |
THE STUDY OF MATERIAL CULTURE OF THE IBAN COMMUNITY IN SARAWAK: NGEPAN |
title_fullStr |
THE STUDY OF MATERIAL CULTURE OF THE IBAN COMMUNITY IN SARAWAK: NGEPAN |
title_full_unstemmed |
THE STUDY OF MATERIAL CULTURE OF THE IBAN COMMUNITY IN SARAWAK: NGEPAN |
title_sort |
study of material culture of the iban community in sarawak: ngepan |
publisher |
UNIMAS Publisher |
publishDate |
2021 |
url |
http://ir.unimas.my/id/eprint/37009/1/Noria%20Tugang.pdf http://ir.unimas.my/id/eprint/37009/ https://publisher.unimas.my/ojs/index.php/IJACA/issue/current |
_version_ |
1718930134042411008 |
score |
13.209306 |