LIFE DISRUPTED AND REGENERATED : COPING WITH THE ‘NEW NORMAL’ CREATIVE ARTS IN THE TIME OF CORONAVIRUS

A global pandemic caused by COVID-19 virus since December 2019 has developed into a fearsome situation more than any common global contagion. In combating COVID-19 worldwide, governments instigated a precautionary cordon sanitaire in various degrees. Live music, cinema and film festivals were inevit...

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Main Authors: Connie Lim, Keh Nie, Yow, Chong Lee, Wei, Chow Ow
Format: Article
Language:English
Published: 2021
Subjects:
Online Access:http://ir.unimas.my/id/eprint/36049/1/disrupted1.pdf
http://ir.unimas.my/id/eprint/36049/
https://publisher.unimas.my/ojs/index.php/IJBS/issue/view/183
https://doi.org/10.33736/ijbs.3759.2021
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spelling my.unimas.ir.360492022-04-20T01:20:19Z http://ir.unimas.my/id/eprint/36049/ LIFE DISRUPTED AND REGENERATED : COPING WITH THE ‘NEW NORMAL’ CREATIVE ARTS IN THE TIME OF CORONAVIRUS Connie Lim, Keh Nie Yow, Chong Lee Wei, Chow Ow NX Arts in general A global pandemic caused by COVID-19 virus since December 2019 has developed into a fearsome situation more than any common global contagion. In combating COVID-19 worldwide, governments instigated a precautionary cordon sanitaire in various degrees. Live music, cinema and film festivals were inevitably cancelled, causing artists to become alienated from their audience. This paper aims to illuminate how practitioners of the creative industry cope with t as the means of regenerating ‘life’, which refers to that of a creative artist in a narrower sense, and to that of the industry in a broader sense. Adopting a combined methodology of autoethnography and virtual ethnography, the authors explore their encounters with the informants and the development of the creative arts scene. The subject of disruption and regeneration in the creative arts industry is approached through feasible methods and tools they could render in this unique lived experience. They hope to construct a view containing some perspectives on the transcendence of creative practitioners from the disruption to the survival of the pandemic’s impact, as well as the regeneration of how creative arts would persevere in the ‘new normal’ of the post-COVID-19 era. 2021-08-12 Article PeerReviewed text en http://ir.unimas.my/id/eprint/36049/1/disrupted1.pdf Connie Lim, Keh Nie and Yow, Chong Lee and Wei, Chow Ow (2021) LIFE DISRUPTED AND REGENERATED : COPING WITH THE ‘NEW NORMAL’ CREATIVE ARTS IN THE TIME OF CORONAVIRUS. International Journal of Business and Society, 22 (2). pp. 788-806. ISSN 1511-6670 https://publisher.unimas.my/ojs/index.php/IJBS/issue/view/183 https://doi.org/10.33736/ijbs.3759.2021
institution Universiti Malaysia Sarawak
building Centre for Academic Information Services (CAIS)
collection Institutional Repository
continent Asia
country Malaysia
content_provider Universiti Malaysia Sarawak
content_source UNIMAS Institutional Repository
url_provider http://ir.unimas.my/
language English
topic NX Arts in general
spellingShingle NX Arts in general
Connie Lim, Keh Nie
Yow, Chong Lee
Wei, Chow Ow
LIFE DISRUPTED AND REGENERATED : COPING WITH THE ‘NEW NORMAL’ CREATIVE ARTS IN THE TIME OF CORONAVIRUS
description A global pandemic caused by COVID-19 virus since December 2019 has developed into a fearsome situation more than any common global contagion. In combating COVID-19 worldwide, governments instigated a precautionary cordon sanitaire in various degrees. Live music, cinema and film festivals were inevitably cancelled, causing artists to become alienated from their audience. This paper aims to illuminate how practitioners of the creative industry cope with t as the means of regenerating ‘life’, which refers to that of a creative artist in a narrower sense, and to that of the industry in a broader sense. Adopting a combined methodology of autoethnography and virtual ethnography, the authors explore their encounters with the informants and the development of the creative arts scene. The subject of disruption and regeneration in the creative arts industry is approached through feasible methods and tools they could render in this unique lived experience. They hope to construct a view containing some perspectives on the transcendence of creative practitioners from the disruption to the survival of the pandemic’s impact, as well as the regeneration of how creative arts would persevere in the ‘new normal’ of the post-COVID-19 era.
format Article
author Connie Lim, Keh Nie
Yow, Chong Lee
Wei, Chow Ow
author_facet Connie Lim, Keh Nie
Yow, Chong Lee
Wei, Chow Ow
author_sort Connie Lim, Keh Nie
title LIFE DISRUPTED AND REGENERATED : COPING WITH THE ‘NEW NORMAL’ CREATIVE ARTS IN THE TIME OF CORONAVIRUS
title_short LIFE DISRUPTED AND REGENERATED : COPING WITH THE ‘NEW NORMAL’ CREATIVE ARTS IN THE TIME OF CORONAVIRUS
title_full LIFE DISRUPTED AND REGENERATED : COPING WITH THE ‘NEW NORMAL’ CREATIVE ARTS IN THE TIME OF CORONAVIRUS
title_fullStr LIFE DISRUPTED AND REGENERATED : COPING WITH THE ‘NEW NORMAL’ CREATIVE ARTS IN THE TIME OF CORONAVIRUS
title_full_unstemmed LIFE DISRUPTED AND REGENERATED : COPING WITH THE ‘NEW NORMAL’ CREATIVE ARTS IN THE TIME OF CORONAVIRUS
title_sort life disrupted and regenerated : coping with the ‘new normal’ creative arts in the time of coronavirus
publishDate 2021
url http://ir.unimas.my/id/eprint/36049/1/disrupted1.pdf
http://ir.unimas.my/id/eprint/36049/
https://publisher.unimas.my/ojs/index.php/IJBS/issue/view/183
https://doi.org/10.33736/ijbs.3759.2021
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score 13.211869