Camera movement in Martin Scorsese's films : an analysis of authorship from script to screen
This research applies the auteur theory to study a specific cinematic techniwue in the fils of Martin Scorsese: camera movement n the long take. Particular scenes with this type of shot in Mean Streets (1973), Goodfellas (1990), and Casino (1995) - all directed by Scorsese but using different cinem...
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| 第一著者: | |
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| フォーマット: | Final Year Project Report |
| 言語: | English English |
| 出版事項: |
Universiti Malaysia Sarawak (UNIMAS)
2013
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| 主題: | |
| オンライン･アクセス: | http://ir.unimas.my/id/eprint/18972/1/Camera%20movement%20in%20Martin%20%2824%20pages%29.pdf http://ir.unimas.my/id/eprint/18972/9/Chua%28fulltext%29.pdf http://ir.unimas.my/id/eprint/18972/ |
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