Camera movement in Martin Scorsese's films : an analysis of authorship from script to screen
This research applies the auteur theory to study a specific cinematic techniwue in the fils of Martin Scorsese: camera movement n the long take. Particular scenes with this type of shot in Mean Streets (1973), Goodfellas (1990), and Casino (1995) - all directed by Scorsese but using different cinem...
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| Format: | Final Year Project Report |
| Language: | English English |
| Published: |
Universiti Malaysia Sarawak (UNIMAS)
2013
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| Online Access: | http://ir.unimas.my/id/eprint/18972/1/Camera%20movement%20in%20Martin%20%2824%20pages%29.pdf http://ir.unimas.my/id/eprint/18972/9/Chua%28fulltext%29.pdf http://ir.unimas.my/id/eprint/18972/ |
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| Summary: | This research applies the auteur theory to study a specific cinematic techniwue in the fils of Martin Scorsese: camera movement n the long take. Particular scenes with this type of shot in Mean Streets (1973), Goodfellas (1990), and Casino (1995) - all directed by Scorsese but using different cinematographers and writers - are analyzed to assess the true authorship of this camera movement. This research has then been applied in the production of a short film, in the same genre as the three afirementioned fils, featuring dynamic camera movement in a long take. |
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