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East Wind Breaks : Identification of Zhongguofeng Music as a Form of “Chinese Crossover” and “Hybrid Thinking” in Contemporary Mandopop

Since 2000, the phenomenal rise of Jay Chou, an iconic pop artist from Taiwan, has evoked discussions on Mandopop scene. This study aims to conduct a micro-analysis of selected music samples from Chou between 2000 and 2010 in order to identify Zhongguofeng music, which employs Phillip Tagg’s music...

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Bibliographic Details
Main Authors: Li, Fan, Chow, Ow Wei, Lee, Yok Fee, Mastura, Mahamed, Connie Lim, Keh Nie
Format: Article
Language:English
Published: Faculty of Language and Arts, Universitas Negeri Semarang 2024
Subjects:
M Music
ML Literature of music
Online Access:http://ir.unimas.my/id/eprint/47521/1/Li%20et%20al.%20%282024%29%20East%20Wind%20Breaks-%20Identification%20of%20Zhongguofeng%20Music%20as%20a%20Form%20of%20%E2%80%9CChinese%20Crossover%E2%80%9D%20and%20%E2%80%9CHybrid%20Thinking%E2%80%9D%20in%20Contemporary%20Mandopop.pdf
http://ir.unimas.my/id/eprint/47521/
https://journal.unnes.ac.id/journals/harmonia/article/view/13253
http://dx.doi.org/10.15294/harmonia.v24i2.13253
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Internet

http://ir.unimas.my/id/eprint/47521/1/Li%20et%20al.%20%282024%29%20East%20Wind%20Breaks-%20Identification%20of%20Zhongguofeng%20Music%20as%20a%20Form%20of%20%E2%80%9CChinese%20Crossover%E2%80%9D%20and%20%E2%80%9CHybrid%20Thinking%E2%80%9D%20in%20Contemporary%20Mandopop.pdf
http://ir.unimas.my/id/eprint/47521/
https://journal.unnes.ac.id/journals/harmonia/article/view/13253
http://dx.doi.org/10.15294/harmonia.v24i2.13253

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