The concept of I Ching in Choong Kam Kow’s artwork / Sahar Amir Khansari

Choong Kam Kow is one of the senior prominent contemporary artists in Malaysia. He obtained his Bachelor degree in Fine Arts from The National Taiwan University in 1961 and his Master of Fine Arts from The Pratt Institute, New York in 1968. He received the Honorary of Doctorate of Arts from The Robe...

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Main Author: Sahar Amir , Khansari
Format: Thesis
Published: 2017
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Online Access:http://studentsrepo.um.edu.my/12167/2/Sahar.pdf
http://studentsrepo.um.edu.my/12167/1/Sahar_Amir.pdf
http://studentsrepo.um.edu.my/12167/
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spelling my.um.stud.121672021-04-25T17:18:32Z The concept of I Ching in Choong Kam Kow’s artwork / Sahar Amir Khansari Sahar Amir , Khansari N Visual arts (General) For photography, see TR NX Arts in general Choong Kam Kow is one of the senior prominent contemporary artists in Malaysia. He obtained his Bachelor degree in Fine Arts from The National Taiwan University in 1961 and his Master of Fine Arts from The Pratt Institute, New York in 1968. He received the Honorary of Doctorate of Arts from The Robert Gordon University in Scotland due to his achievement and contribution in fine arts. What is interesting in the historical context of the Malaysian arts is the fact that Choong Kam Kow seems to be the only artist who incorporated Chinese symbols in his artworks. This research demonstrates that his use of Chinese symbols serves to convey the unity of macrocosm and microcosm in his selected artworks as well as moral values of Chinese philosophy. In addition, the artworks selected have not been previously analysed, so the researcher has selected these artworks to identify their symbols and interpret them to reveal possible meanings in order to get a deeper understanding of his art. Thus, this research is beneficial for Malaysian art due to limited studies about Choong Kam Kow’s artworks and contemporary Malaysian abstract artists. This research is also useful to the local or international art students, historians and experts who have an interest in Choong Kam Kow’s thoughts and attempt for Malaysian art progress. This research interprets ten artworks of Choong Kam Kow using Panofsky’s theory of Iconology. This approach has not been employed in previous studies and will, therefore, give us a novel explanation of the concept of the artworks and intent of the artist in relating moral values through a combination of Chinese symbols and western approaches to colour. 2017 Thesis NonPeerReviewed application/pdf http://studentsrepo.um.edu.my/12167/2/Sahar.pdf application/pdf http://studentsrepo.um.edu.my/12167/1/Sahar_Amir.pdf Sahar Amir , Khansari (2017) The concept of I Ching in Choong Kam Kow’s artwork / Sahar Amir Khansari. Masters thesis, University of Malaya. http://studentsrepo.um.edu.my/12167/
institution Universiti Malaya
building UM Library
collection Institutional Repository
continent Asia
country Malaysia
content_provider Universiti Malaya
content_source UM Student Repository
url_provider http://studentsrepo.um.edu.my/
topic N Visual arts (General) For photography, see TR
NX Arts in general
spellingShingle N Visual arts (General) For photography, see TR
NX Arts in general
Sahar Amir , Khansari
The concept of I Ching in Choong Kam Kow’s artwork / Sahar Amir Khansari
description Choong Kam Kow is one of the senior prominent contemporary artists in Malaysia. He obtained his Bachelor degree in Fine Arts from The National Taiwan University in 1961 and his Master of Fine Arts from The Pratt Institute, New York in 1968. He received the Honorary of Doctorate of Arts from The Robert Gordon University in Scotland due to his achievement and contribution in fine arts. What is interesting in the historical context of the Malaysian arts is the fact that Choong Kam Kow seems to be the only artist who incorporated Chinese symbols in his artworks. This research demonstrates that his use of Chinese symbols serves to convey the unity of macrocosm and microcosm in his selected artworks as well as moral values of Chinese philosophy. In addition, the artworks selected have not been previously analysed, so the researcher has selected these artworks to identify their symbols and interpret them to reveal possible meanings in order to get a deeper understanding of his art. Thus, this research is beneficial for Malaysian art due to limited studies about Choong Kam Kow’s artworks and contemporary Malaysian abstract artists. This research is also useful to the local or international art students, historians and experts who have an interest in Choong Kam Kow’s thoughts and attempt for Malaysian art progress. This research interprets ten artworks of Choong Kam Kow using Panofsky’s theory of Iconology. This approach has not been employed in previous studies and will, therefore, give us a novel explanation of the concept of the artworks and intent of the artist in relating moral values through a combination of Chinese symbols and western approaches to colour.
format Thesis
author Sahar Amir , Khansari
author_facet Sahar Amir , Khansari
author_sort Sahar Amir , Khansari
title The concept of I Ching in Choong Kam Kow’s artwork / Sahar Amir Khansari
title_short The concept of I Ching in Choong Kam Kow’s artwork / Sahar Amir Khansari
title_full The concept of I Ching in Choong Kam Kow’s artwork / Sahar Amir Khansari
title_fullStr The concept of I Ching in Choong Kam Kow’s artwork / Sahar Amir Khansari
title_full_unstemmed The concept of I Ching in Choong Kam Kow’s artwork / Sahar Amir Khansari
title_sort concept of i ching in choong kam kow’s artwork / sahar amir khansari
publishDate 2017
url http://studentsrepo.um.edu.my/12167/2/Sahar.pdf
http://studentsrepo.um.edu.my/12167/1/Sahar_Amir.pdf
http://studentsrepo.um.edu.my/12167/
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score 13.211869