The spectrum of Han: Cultural psychology in Korean national cinema

Over the past three decades, Korean cinema has garnered increasing acclaim both domestically and globally and solidified its unique standing in the realm of filmmaking. This article delves into the intricacies of han, a cultural psychological Korean element that has significantly influenced Korean c...

Full description

Saved in:
Bibliographic Details
Main Authors: Gao, Xiaotian, Adnan, Hamedi Mohd, Wang, Changsong
Format: Article
Published: Redfame Publishing Inc. 2024
Subjects:
Online Access:http://eprints.um.edu.my/44733/
https://doi.org/10.11114/smc.v12i1.6461
Tags: Add Tag
No Tags, Be the first to tag this record!
id my.um.eprints.44733
record_format eprints
spelling my.um.eprints.447332024-07-11T00:21:09Z http://eprints.um.edu.my/44733/ The spectrum of Han: Cultural psychology in Korean national cinema Gao, Xiaotian Adnan, Hamedi Mohd Wang, Changsong GV Recreation Leisure Over the past three decades, Korean cinema has garnered increasing acclaim both domestically and globally and solidified its unique standing in the realm of filmmaking. This article delves into the intricacies of han, a cultural psychological Korean element that has significantly influenced Korean cinema. Hanencompasses a distinct collective cultural psychology characterized by lingering resentment, pain, sadness, and anger. The persistent thematic exploration of hanand societal darkness has played a pivotal role in shaping the trajectory of Korean national cinema. Korean national cinema is distinguished by its foundational core of collective trauma, exposing societal darkness, and expressing hanin response to societal darkness. This article summarizes the significant implications of Korean national cinema's depiction of societal darkness from the perspectives of promoting societal progress and safeguarding the Korean domestic film market. The analysis further examines how Korean national cinema strategically employs plot, theme, and ending to construct a logical progression that articulates and intensifies hantowards societal darkness. Ultimately, this paper advocates for the vigilance of Korean national cinema against cultural discounts in its proactive overseas promotion. © 2024 Redfame Publishing Inc.. All Rights Reserved. Redfame Publishing Inc. 2024-03 Article PeerReviewed Gao, Xiaotian and Adnan, Hamedi Mohd and Wang, Changsong (2024) The spectrum of Han: Cultural psychology in Korean national cinema. Studies in Media and Communication, 12 (1). pp. 268-276. ISSN 2325-8071, DOI https://doi.org/10.11114/smc.v12i1.6461 <https://doi.org/10.11114/smc.v12i1.6461>. https://doi.org/10.11114/smc.v12i1.6461 10.11114/smc.v12i1.6461
institution Universiti Malaya
building UM Library
collection Institutional Repository
continent Asia
country Malaysia
content_provider Universiti Malaya
content_source UM Research Repository
url_provider http://eprints.um.edu.my/
topic GV Recreation Leisure
spellingShingle GV Recreation Leisure
Gao, Xiaotian
Adnan, Hamedi Mohd
Wang, Changsong
The spectrum of Han: Cultural psychology in Korean national cinema
description Over the past three decades, Korean cinema has garnered increasing acclaim both domestically and globally and solidified its unique standing in the realm of filmmaking. This article delves into the intricacies of han, a cultural psychological Korean element that has significantly influenced Korean cinema. Hanencompasses a distinct collective cultural psychology characterized by lingering resentment, pain, sadness, and anger. The persistent thematic exploration of hanand societal darkness has played a pivotal role in shaping the trajectory of Korean national cinema. Korean national cinema is distinguished by its foundational core of collective trauma, exposing societal darkness, and expressing hanin response to societal darkness. This article summarizes the significant implications of Korean national cinema's depiction of societal darkness from the perspectives of promoting societal progress and safeguarding the Korean domestic film market. The analysis further examines how Korean national cinema strategically employs plot, theme, and ending to construct a logical progression that articulates and intensifies hantowards societal darkness. Ultimately, this paper advocates for the vigilance of Korean national cinema against cultural discounts in its proactive overseas promotion. © 2024 Redfame Publishing Inc.. All Rights Reserved.
format Article
author Gao, Xiaotian
Adnan, Hamedi Mohd
Wang, Changsong
author_facet Gao, Xiaotian
Adnan, Hamedi Mohd
Wang, Changsong
author_sort Gao, Xiaotian
title The spectrum of Han: Cultural psychology in Korean national cinema
title_short The spectrum of Han: Cultural psychology in Korean national cinema
title_full The spectrum of Han: Cultural psychology in Korean national cinema
title_fullStr The spectrum of Han: Cultural psychology in Korean national cinema
title_full_unstemmed The spectrum of Han: Cultural psychology in Korean national cinema
title_sort spectrum of han: cultural psychology in korean national cinema
publisher Redfame Publishing Inc.
publishDate 2024
url http://eprints.um.edu.my/44733/
https://doi.org/10.11114/smc.v12i1.6461
_version_ 1805881163152097280
score 13.18916