Exploring the Malayness of Mastura Abdul Rahman's painting / Muhammad Salehuddin Zakaria and Hairulnisak Merman

This paper discusses and explores the Malayness concepts of Mastura Abdul Rahman's paintings. In Malaysia, we had problems with the lack of national women's artists studying Malay's concepts due to time constraints and lack of reference sources. The research study was based on a col...

Full description

Saved in:
Bibliographic Details
Main Authors: Zakaria, Muhammad Salehuddin, Merman, Hairulnisak
Format: Article
Language:English
Published: Faculty of Art and Design 2021
Subjects:
Online Access:http://ir.uitm.edu.my/id/eprint/47511/1/47511.pdf
http://ir.uitm.edu.my/id/eprint/47511/
https://melaka.uitm.edu.my/ijad/
Tags: Add Tag
No Tags, Be the first to tag this record!
id my.uitm.ir.47511
record_format eprints
spelling my.uitm.ir.475112021-07-12T01:51:26Z http://ir.uitm.edu.my/id/eprint/47511/ Exploring the Malayness of Mastura Abdul Rahman's painting / Muhammad Salehuddin Zakaria and Hairulnisak Merman Zakaria, Muhammad Salehuddin Merman, Hairulnisak Technique, composition, etc. Special classes of persons as artists Women This paper discusses and explores the Malayness concepts of Mastura Abdul Rahman's paintings. In Malaysia, we had problems with the lack of national women's artists studying Malay's concepts due to time constraints and lack of reference sources. The research study was based on a collection of paintings selected from 1987 to 2015. This research focused mainly on the structures and composition in Malay's concepts of Mastura Abdul Rahman arts' works and documentation of the content of the Malays identities and social-cultural aspects. She applied Malay's concepts in the painting to beautify it by using Malay's design, architectures, and motives. The researcher used the six principles used by Zakaria Ali in describing Mastura Abdul Rahman's arts' works based on Malay's concepts, which consist of subtlety, usefulness, unity, symbol, contrast, and meaning. The researcher obtained information through the primary data methods such as interviews and observation, where the interview sessions were held with the painter Mastura Abdul Rahman. Information from the curators and secondary methods was derived from data sources such as books, journals, newspaper clippings, and magazines. Furthermore, every artwork that was analyzed had intellectual on the Malays' concepts because every object in the artworks had a role and implicit meanings about the Malayness. Her art works has aesthetic values and very intellectual in highlighting messages in applying the concept of tradition, culture and religion. However, her art works should be documented for general reference purposes. Especially for the younger generations to expose and help them to improve understanding, communication capabilities, stimulate critical thinking and intellectualism to the society. Faculty of Art and Design 2021 Article PeerReviewed text en http://ir.uitm.edu.my/id/eprint/47511/1/47511.pdf ID47511 Zakaria, Muhammad Salehuddin and Merman, Hairulnisak (2021) Exploring the Malayness of Mastura Abdul Rahman's painting / Muhammad Salehuddin Zakaria and Hairulnisak Merman. International Journal of Art and Design (IJAD), 4 (6). pp. 47-55. ISSN 2710-5776 https://melaka.uitm.edu.my/ijad/
institution Universiti Teknologi Mara
building Tun Abdul Razak Library
collection Institutional Repository
continent Asia
country Malaysia
content_provider Universiti Teknologi Mara
content_source UiTM Institutional Repository
url_provider http://ir.uitm.edu.my/
language English
topic Technique, composition, etc.
Special classes of persons as artists
Women
spellingShingle Technique, composition, etc.
Special classes of persons as artists
Women
Zakaria, Muhammad Salehuddin
Merman, Hairulnisak
Exploring the Malayness of Mastura Abdul Rahman's painting / Muhammad Salehuddin Zakaria and Hairulnisak Merman
description This paper discusses and explores the Malayness concepts of Mastura Abdul Rahman's paintings. In Malaysia, we had problems with the lack of national women's artists studying Malay's concepts due to time constraints and lack of reference sources. The research study was based on a collection of paintings selected from 1987 to 2015. This research focused mainly on the structures and composition in Malay's concepts of Mastura Abdul Rahman arts' works and documentation of the content of the Malays identities and social-cultural aspects. She applied Malay's concepts in the painting to beautify it by using Malay's design, architectures, and motives. The researcher used the six principles used by Zakaria Ali in describing Mastura Abdul Rahman's arts' works based on Malay's concepts, which consist of subtlety, usefulness, unity, symbol, contrast, and meaning. The researcher obtained information through the primary data methods such as interviews and observation, where the interview sessions were held with the painter Mastura Abdul Rahman. Information from the curators and secondary methods was derived from data sources such as books, journals, newspaper clippings, and magazines. Furthermore, every artwork that was analyzed had intellectual on the Malays' concepts because every object in the artworks had a role and implicit meanings about the Malayness. Her art works has aesthetic values and very intellectual in highlighting messages in applying the concept of tradition, culture and religion. However, her art works should be documented for general reference purposes. Especially for the younger generations to expose and help them to improve understanding, communication capabilities, stimulate critical thinking and intellectualism to the society.
format Article
author Zakaria, Muhammad Salehuddin
Merman, Hairulnisak
author_facet Zakaria, Muhammad Salehuddin
Merman, Hairulnisak
author_sort Zakaria, Muhammad Salehuddin
title Exploring the Malayness of Mastura Abdul Rahman's painting / Muhammad Salehuddin Zakaria and Hairulnisak Merman
title_short Exploring the Malayness of Mastura Abdul Rahman's painting / Muhammad Salehuddin Zakaria and Hairulnisak Merman
title_full Exploring the Malayness of Mastura Abdul Rahman's painting / Muhammad Salehuddin Zakaria and Hairulnisak Merman
title_fullStr Exploring the Malayness of Mastura Abdul Rahman's painting / Muhammad Salehuddin Zakaria and Hairulnisak Merman
title_full_unstemmed Exploring the Malayness of Mastura Abdul Rahman's painting / Muhammad Salehuddin Zakaria and Hairulnisak Merman
title_sort exploring the malayness of mastura abdul rahman's painting / muhammad salehuddin zakaria and hairulnisak merman
publisher Faculty of Art and Design
publishDate 2021
url http://ir.uitm.edu.my/id/eprint/47511/1/47511.pdf
http://ir.uitm.edu.my/id/eprint/47511/
https://melaka.uitm.edu.my/ijad/
_version_ 1705059570454364160
score 13.209306