The aesthetics of Arabic calligraphic and Islamic formations in the curtain of the door of Kaaba: a critical artistic study
The Kaaba's covering carries inherited aesthetics with an ancient historical and cultural character. The curtain for the door of the Holy Kaaba is an integral part of the design of the Kiswa of the Holy Kaaba, as it covers the door of the Holy Kaaba. The door curtain of the Holy Kaaba is cons...
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Alanya Üniversitesi
2024
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Online Access: | http://irep.iium.edu.my/116809/1/ICCAUA2024EN0217_Duaa_Alashari.NBA%20%283%29.pdf http://irep.iium.edu.my/116809/ https://journal.iccaua.com/index.php/jiccaua/article/view/555 |
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my.iium.irep.1168092024-12-19T02:41:55Z http://irep.iium.edu.my/116809/ The aesthetics of Arabic calligraphic and Islamic formations in the curtain of the door of Kaaba: a critical artistic study Alashari, Duaa Abdelaziz, Berghout BH Aesthetics BP174 The Practice of Islam N6260 Islamic calligraphy NK1674 Islamic art The Kaaba's covering carries inherited aesthetics with an ancient historical and cultural character. The curtain for the door of the Holy Kaaba is an integral part of the design of the Kiswa of the Holy Kaaba, as it covers the door of the Holy Kaaba. The door curtain of the Holy Kaaba is considered an immortal and unique Islamic artistic painting in terms of the uniqueness of its design. Therefore, this study aims to apply the Western theory of art criticism (Feldman) to Arabic calligraphy and the calligraphic formations embodied in the curtain of the door of the Holy Kaaba to demonstrate aesthetic and artistic design values. The approach followed in this study is Feldman's approach to art criticism. Feldman's methodology is considered a systematic and integrated critical methodology for describing and analyzing artworks. In addition, this methodology enhances the aesthetic experience to understand art, its dimensions and value. The tool used in the study is observation. The study population consists of linear and decorative units with multiple styles. The study concluded that the curtain of the door of the Holy Kaaba is characterized by an abundance of calligraphic formations and compositions and Islamic decorative plant units that appeared on the curtain of the door of the Kaaba according to the aesthetic organization of the art of Arabic calligraphy. Also, this curtain represents a visual centre of attraction within the design of the overall fabric covering the Holy Kaaba. Alanya Üniversitesi 2024-06-30 Article PeerReviewed application/pdf en http://irep.iium.edu.my/116809/1/ICCAUA2024EN0217_Duaa_Alashari.NBA%20%283%29.pdf Alashari, Duaa and Abdelaziz, Berghout (2024) The aesthetics of Arabic calligraphic and Islamic formations in the curtain of the door of Kaaba: a critical artistic study. Proceedings of the International Conference of Contemporary Affairs in Architecture and Urbanism-ICCAUA, 7 (1). pp. 1062-1074. E-ISSN 3023-7009 https://journal.iccaua.com/index.php/jiccaua/article/view/555 |
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BH Aesthetics BP174 The Practice of Islam N6260 Islamic calligraphy NK1674 Islamic art Alashari, Duaa Abdelaziz, Berghout The aesthetics of Arabic calligraphic and Islamic formations in the curtain of the door of Kaaba: a critical artistic study |
description |
The Kaaba's covering carries inherited aesthetics with an ancient historical and cultural character. The curtain for the
door of the Holy Kaaba is an integral part of the design of the Kiswa of the Holy Kaaba, as it covers the door of the Holy
Kaaba. The door curtain of the Holy Kaaba is considered an immortal and unique Islamic artistic painting in terms of
the uniqueness of its design. Therefore, this study aims to apply the Western theory of art criticism (Feldman) to Arabic
calligraphy and the calligraphic formations embodied in the curtain of the door of the Holy Kaaba to demonstrate
aesthetic and artistic design values. The approach followed in this study is Feldman's approach to art criticism.
Feldman's methodology is considered a systematic and integrated critical methodology for describing and analyzing
artworks. In addition, this methodology enhances the aesthetic experience to understand art, its dimensions and
value. The tool used in the study is observation. The study population consists of linear and decorative units with
multiple styles. The study concluded that the curtain of the door of the Holy Kaaba is characterized by an abundance
of calligraphic formations and compositions and Islamic decorative plant units that appeared on the curtain of the
door of the Kaaba according to the aesthetic organization of the art of Arabic calligraphy. Also, this curtain represents
a visual centre of attraction within the design of the overall fabric covering the Holy Kaaba. |
format |
Article |
author |
Alashari, Duaa Abdelaziz, Berghout |
author_facet |
Alashari, Duaa Abdelaziz, Berghout |
author_sort |
Alashari, Duaa |
title |
The aesthetics of Arabic calligraphic and Islamic formations in the curtain of the door of Kaaba: a critical artistic study |
title_short |
The aesthetics of Arabic calligraphic and Islamic formations in the curtain of the door of Kaaba: a critical artistic study |
title_full |
The aesthetics of Arabic calligraphic and Islamic formations in the curtain of the door of Kaaba: a critical artistic study |
title_fullStr |
The aesthetics of Arabic calligraphic and Islamic formations in the curtain of the door of Kaaba: a critical artistic study |
title_full_unstemmed |
The aesthetics of Arabic calligraphic and Islamic formations in the curtain of the door of Kaaba: a critical artistic study |
title_sort |
aesthetics of arabic calligraphic and islamic formations in the curtain of the door of kaaba: a critical artistic study |
publisher |
Alanya Üniversitesi |
publishDate |
2024 |
url |
http://irep.iium.edu.my/116809/1/ICCAUA2024EN0217_Duaa_Alashari.NBA%20%283%29.pdf http://irep.iium.edu.my/116809/ https://journal.iccaua.com/index.php/jiccaua/article/view/555 |
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