Modes of green resistance in Mahmoud Darwish’s poetry of exile = Modus rintangan hijau dalam puisi pengasingan Mahmoud Darwish

• Main Authors: Mohsen, Hamoud Yahya Ahmed, Jonid, Tanja, Altabaa, Homam
• Format: Article
• Language: English
• Published: International Islamic University Malaysia 2024
• Subjects: PL Languages and literatures of Eastern Asia, Africa, Oceania
• Online Access: http://irep.iium.edu.my/116701/7/116701_Modes%20of%20green%20resistance.pdf; http://irep.iium.edu.my/116701/; https://journals.iium.edu.my/jiasia/index.php/jia/issue/view/80; https://doi.org/10.31436/jia.v21i2.1248

The article explores the green modes of resistance in the Palestinian poet Mahmoud Darwish’s poetry of exile, focusing on how the natural images are utilized as an iconic tool of resistance to the occupation of the homeland left behind. Darwish's poetry, often centered on themes of loss, displacement, and the yearning for homeland, uses evocative natural metaphors and landscapes to transcend physical borders, fostering a connection to the homeland that is both threatened and idealized. By employing nature as a vital means of resistance, his poetry of exile presents a unique ecological perspective within postcolonial literature, where plants, trees, and landscapes become powerful symbols of endurance and identity for the displaced people of Palestine. The analysis of the selected poems of exile displays the modes of Darwish’s green resistance to the occupation of his homeland that has flourished in exile to the highest level and manifested in three major modes. The first is the centric resistance in exile that blossomed in a bond of humans and nature used as a resistance force against the occupiers of the land. The sun and the poet, the moon and the poet and the wheat and the poet are among the most important forms of Darwish’s centric resistance in exile. The second major mode of green resistance in exile is interconnected resistance in exile. The third mode is defiance shown through the forms of nature that have been utilized as a vital means of resistance from a distance. The analysis showed that Darwish’s green resistance has markedly flowered in the forms of nature that rangefrom pure nature to nature that has been cultivated Therefore, the current article displays the modes of green resistance and how he remains emotionally and psychologically bound to Palestine even though he is physically estranged from it. His struggle to free his land from the clutches of the regime gains momentum through his employment of nature identified with his land. Like the sun that never sleeps, Darwish is the Palestinian poet that could never sever his umbilical cord with his motherland, even though he writes from a distance. By explicating the modes of green resistance in Darwish’s poetry of exile, we hope to provide new insights into man’s connection to land as a strategy to defy colonial rule.