The mitred Avalokitesvara from Palembang its significance on the origin and development of Srivijayan Art.

The problems of "Srivijayan Art", the capital of Srivijaya and the relationship between Palembang and other parts of Srivijayan Empire from 7th to the 14th century A. D. are still being discussed. This essay is an attempt to bring forward a new evidence in helping to solve those problems....

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Main Author: Nik Hassan Shuhaimi Nik Abdul Rahman.,
Format: Article
Published: Universiti Kebangsaan Malaysia 1978
Online Access:http://journalarticle.ukm.my/4087/
http://pkukmweb.ukm.my/penerbit/jdem13-4.htm
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spelling my-ukm.journal.40872012-05-22T08:41:23Z http://journalarticle.ukm.my/4087/ The mitred Avalokitesvara from Palembang its significance on the origin and development of Srivijayan Art. Nik Hassan Shuhaimi Nik Abdul Rahman., The problems of "Srivijayan Art", the capital of Srivijaya and the relationship between Palembang and other parts of Srivijayan Empire from 7th to the 14th century A. D. are still being discussed. This essay is an attempt to bring forward a new evidence in helping to solve those problems. The study of the Avalokitesvara image discovered in Palembang, on the basis of the headdress, dhoti, body-shape, iconography and associated finds, shows that the image was made by a local artist in the 7th century A.D. Its headdress was the proto-type of the later Avalokitesvara images made in the Srivijayan Empire. Universiti Kebangsaan Malaysia 1978 Article PeerReviewed Nik Hassan Shuhaimi Nik Abdul Rahman., (1978) The mitred Avalokitesvara from Palembang its significance on the origin and development of Srivijayan Art. AKADEMIKA, 13 . pp. 45-56. ISSN 0126-5008 http://pkukmweb.ukm.my/penerbit/jdem13-4.htm
institution Universiti Kebangsaan Malaysia
building Perpustakaan Tun Sri Lanang Library
collection Institutional Repository
continent Asia
country Malaysia
content_provider Universiti Kebangsaan Malaysia
content_source UKM Journal Article Repository
url_provider http://journalarticle.ukm.my/
description The problems of "Srivijayan Art", the capital of Srivijaya and the relationship between Palembang and other parts of Srivijayan Empire from 7th to the 14th century A. D. are still being discussed. This essay is an attempt to bring forward a new evidence in helping to solve those problems. The study of the Avalokitesvara image discovered in Palembang, on the basis of the headdress, dhoti, body-shape, iconography and associated finds, shows that the image was made by a local artist in the 7th century A.D. Its headdress was the proto-type of the later Avalokitesvara images made in the Srivijayan Empire.
format Article
author Nik Hassan Shuhaimi Nik Abdul Rahman.,
spellingShingle Nik Hassan Shuhaimi Nik Abdul Rahman.,
The mitred Avalokitesvara from Palembang its significance on the origin and development of Srivijayan Art.
author_facet Nik Hassan Shuhaimi Nik Abdul Rahman.,
author_sort Nik Hassan Shuhaimi Nik Abdul Rahman.,
title The mitred Avalokitesvara from Palembang its significance on the origin and development of Srivijayan Art.
title_short The mitred Avalokitesvara from Palembang its significance on the origin and development of Srivijayan Art.
title_full The mitred Avalokitesvara from Palembang its significance on the origin and development of Srivijayan Art.
title_fullStr The mitred Avalokitesvara from Palembang its significance on the origin and development of Srivijayan Art.
title_full_unstemmed The mitred Avalokitesvara from Palembang its significance on the origin and development of Srivijayan Art.
title_sort mitred avalokitesvara from palembang its significance on the origin and development of srivijayan art.
publisher Universiti Kebangsaan Malaysia
publishDate 1978
url http://journalarticle.ukm.my/4087/
http://pkukmweb.ukm.my/penerbit/jdem13-4.htm
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score 13.18916