The mitred Avalokitesvara from Palembang its significance on the origin and development of Srivijayan Art.
The problems of "Srivijayan Art", the capital of Srivijaya and the relationship between Palembang and other parts of Srivijayan Empire from 7th to the 14th century A. D. are still being discussed. This essay is an attempt to bring forward a new evidence in helping to solve those problems....
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Universiti Kebangsaan Malaysia
1978
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my-ukm.journal.40872012-05-22T08:41:23Z http://journalarticle.ukm.my/4087/ The mitred Avalokitesvara from Palembang its significance on the origin and development of Srivijayan Art. Nik Hassan Shuhaimi Nik Abdul Rahman., The problems of "Srivijayan Art", the capital of Srivijaya and the relationship between Palembang and other parts of Srivijayan Empire from 7th to the 14th century A. D. are still being discussed. This essay is an attempt to bring forward a new evidence in helping to solve those problems. The study of the Avalokitesvara image discovered in Palembang, on the basis of the headdress, dhoti, body-shape, iconography and associated finds, shows that the image was made by a local artist in the 7th century A.D. Its headdress was the proto-type of the later Avalokitesvara images made in the Srivijayan Empire. Universiti Kebangsaan Malaysia 1978 Article PeerReviewed Nik Hassan Shuhaimi Nik Abdul Rahman., (1978) The mitred Avalokitesvara from Palembang its significance on the origin and development of Srivijayan Art. AKADEMIKA, 13 . pp. 45-56. ISSN 0126-5008 http://pkukmweb.ukm.my/penerbit/jdem13-4.htm |
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The problems of "Srivijayan Art", the capital of Srivijaya and the relationship between Palembang and other parts of Srivijayan Empire from 7th to the 14th century A. D. are still being discussed. This essay is an attempt to bring forward a new evidence in helping to solve those problems. The study of the Avalokitesvara image discovered in Palembang, on the basis of the headdress, dhoti, body-shape, iconography and associated finds, shows that the image was made by a local artist in the 7th century A.D. Its headdress was the proto-type of the later Avalokitesvara images made in the Srivijayan Empire. |
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Nik Hassan Shuhaimi Nik Abdul Rahman., |
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Nik Hassan Shuhaimi Nik Abdul Rahman., The mitred Avalokitesvara from Palembang its significance on the origin and development of Srivijayan Art. |
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Nik Hassan Shuhaimi Nik Abdul Rahman., |
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Nik Hassan Shuhaimi Nik Abdul Rahman., |
title |
The mitred Avalokitesvara from Palembang its significance on the origin and development of Srivijayan Art. |
title_short |
The mitred Avalokitesvara from Palembang its significance on the origin and development of Srivijayan Art. |
title_full |
The mitred Avalokitesvara from Palembang its significance on the origin and development of Srivijayan Art. |
title_fullStr |
The mitred Avalokitesvara from Palembang its significance on the origin and development of Srivijayan Art. |
title_full_unstemmed |
The mitred Avalokitesvara from Palembang its significance on the origin and development of Srivijayan Art. |
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mitred avalokitesvara from palembang its significance on the origin and development of srivijayan art. |
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Universiti Kebangsaan Malaysia |
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1978 |
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http://journalarticle.ukm.my/4087/ http://pkukmweb.ukm.my/penerbit/jdem13-4.htm |
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