Visualizing Islamic law and values in Semerah Padi (1956): P. Ramlee as cinematographic auteur
In film studies, the Auteur Theory is mainly employed to explore film directors’ signature styles in creating their mastery artifacts.Individual style of a director in filmmaking is based on his/her preferences; genre, theme, mise-en-scéne, cinematography or even casts line-up.Grounded by American a...
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| 主要な著者: | , , |
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| フォーマット: | 論文 |
| 言語: | English |
| 出版事項: |
Elsevier Ltd.
2014
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| 主題: | |
| オンライン･アクセス: | http://repo.uum.edu.my/13052/1/pro48.pdf http://repo.uum.edu.my/13052/ http://dx.doi.org/10.1016/j.sbspro.2014.10.303 |
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