Surpassing the call for national identity through traditional forms in Nirmala Dutt's social commentary artworks / Tong Tim Yi
Nirmala Dutt, often described as a Malaysian woman artist has been inextricably linked to her landmark social commentary works characterized either by her Statement and Vietnam series of works or the more caustic Friends in Need (1986) in the mainstream narrative of Malaysian art. Her early social...
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2018
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| Online Access: | http://studentsrepo.um.edu.my/8522/1/All.pdf http://studentsrepo.um.edu.my/8522/6/tim_yi.pdf http://studentsrepo.um.edu.my/8522/ |
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| _version_ | 1831435104428228608 |
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| author | Tong, Tim Yi |
| author_facet | Tong, Tim Yi |
| author_sort | Tong, Tim Yi |
| building | UM Library |
| collection | Institutional Repository |
| content_provider | Universiti Malaya |
| content_source | UM Student Repository |
| continent | Asia |
| country | Malaysia |
| description | Nirmala Dutt, often described as a Malaysian woman artist has been inextricably linked to her landmark social commentary works characterized either by her Statement
and Vietnam series of works or the more caustic Friends in Need (1986) in the mainstream narrative of Malaysian art. Her early social commentary works employing photomontage, silkscreen and abstracted brushwork then were a stark contrast to mainstream art practices privileging Constructivist art of the 1970s and romanticized
Abstract Expressionism or Malay and Islamic-centric works of the 1980s. This diverging, albeit limited, viewpoint offers no more than merely appreciating her conscience-piquing works as downright �controversial� or simply �provocative�. Moving beyond this boxed perception requires an investigation into a central recurring
theme in her art as a counter narrative. Hence, this research examines thirty-five defining major and minor tradition-inspired artworks from the 1970s until 1990s that
reflect implicit and explicit wayang kulit or indigenous cultural influences. Visual
analysis of the artworks� styles and techniques is done before their iconographical symbolisms are decoded. These findings will then be sited in relation to the recommendations of the National Cultural Congress (NCC) in 1971 to attempt a discourse at portrayal of national identity. While Nirmala�s use of traditional forms may be conveniently construed as an assertion of the Malaysian identity, she is not necessarily jumping on the bandwagon of romanticizing nationhood. I maintain that the notion of national identity she thrusts is largely driven by a class-centered approach (characterised by the people�s welfare and the environment�s condition) more than the nation-centered approach (characterised by the apparent subscription to NCC�s call by employing tradition). On this ground, her use of tradition as by the people and for the people reflects humanity�s identity in a way that superseded national identity. |
| format | Thesis |
| id | my.um.stud-8522 |
| institution | Universiti Malaya |
| publishDate | 2018 |
| record_format | eprints |
| spelling | my.um.stud-85222021-07-21T18:44:01Z Surpassing the call for national identity through traditional forms in Nirmala Dutt's social commentary artworks / Tong Tim Yi Tong, Tim Yi NX Arts in general Nirmala Dutt, often described as a Malaysian woman artist has been inextricably linked to her landmark social commentary works characterized either by her Statement and Vietnam series of works or the more caustic Friends in Need (1986) in the mainstream narrative of Malaysian art. Her early social commentary works employing photomontage, silkscreen and abstracted brushwork then were a stark contrast to mainstream art practices privileging Constructivist art of the 1970s and romanticized Abstract Expressionism or Malay and Islamic-centric works of the 1980s. This diverging, albeit limited, viewpoint offers no more than merely appreciating her conscience-piquing works as downright �controversial� or simply �provocative�. Moving beyond this boxed perception requires an investigation into a central recurring theme in her art as a counter narrative. Hence, this research examines thirty-five defining major and minor tradition-inspired artworks from the 1970s until 1990s that reflect implicit and explicit wayang kulit or indigenous cultural influences. Visual analysis of the artworks� styles and techniques is done before their iconographical symbolisms are decoded. These findings will then be sited in relation to the recommendations of the National Cultural Congress (NCC) in 1971 to attempt a discourse at portrayal of national identity. While Nirmala�s use of traditional forms may be conveniently construed as an assertion of the Malaysian identity, she is not necessarily jumping on the bandwagon of romanticizing nationhood. I maintain that the notion of national identity she thrusts is largely driven by a class-centered approach (characterised by the people�s welfare and the environment�s condition) more than the nation-centered approach (characterised by the apparent subscription to NCC�s call by employing tradition). On this ground, her use of tradition as by the people and for the people reflects humanity�s identity in a way that superseded national identity. 2018-01 Thesis NonPeerReviewed application/pdf http://studentsrepo.um.edu.my/8522/1/All.pdf application/pdf http://studentsrepo.um.edu.my/8522/6/tim_yi.pdf Tong, Tim Yi (2018) Surpassing the call for national identity through traditional forms in Nirmala Dutt's social commentary artworks / Tong Tim Yi. Masters thesis, University of Malaya. http://studentsrepo.um.edu.my/8522/ |
| spellingShingle | NX Arts in general Tong, Tim Yi Surpassing the call for national identity through traditional forms in Nirmala Dutt's social commentary artworks / Tong Tim Yi |
| title | Surpassing the call for national identity through traditional forms in Nirmala Dutt's social commentary artworks / Tong Tim Yi |
| title_full | Surpassing the call for national identity through traditional forms in Nirmala Dutt's social commentary artworks / Tong Tim Yi |
| title_fullStr | Surpassing the call for national identity through traditional forms in Nirmala Dutt's social commentary artworks / Tong Tim Yi |
| title_full_unstemmed | Surpassing the call for national identity through traditional forms in Nirmala Dutt's social commentary artworks / Tong Tim Yi |
| title_short | Surpassing the call for national identity through traditional forms in Nirmala Dutt's social commentary artworks / Tong Tim Yi |
| title_sort | surpassing the call for national identity through traditional forms in nirmala dutt's social commentary artworks / tong tim yi |
| topic | NX Arts in general |
| url | http://studentsrepo.um.edu.my/8522/1/All.pdf http://studentsrepo.um.edu.my/8522/6/tim_yi.pdf http://studentsrepo.um.edu.my/8522/ |
| url_provider | http://studentsrepo.um.edu.my/ |